Rolleiflex 2.8 vs hasselblad professional#

The German camera had a fixed 80mm lens whereas VictorвЂ™s camera could accept interchangeable lenses made by either Schneider or Zeiss. A camera that could be fitted with a tele lens and used for aerial reconnaissance. The Swedish Air force asked Victor to design and make a prototype camera. Victor saw a German Handkammer HK medium format SLR using 80mm perforated film that was on a German Luftwaffe aeroplane, that crashed in Sweden. Victor Hasselblad first thought about designing a medium format camera way back during World War 2, in 1941.

Carl Zeiss were asked to tender for a lens for this camera, in fact similar lenses as supplied to Victor Hasselblad. Rollei decided that the Hasselblad design had merits, so Herr Weiss was asked to design a Rollei medium format SLR. But Hasselblad were not beaten, along came the 500C, and there can be no doubt that this camera was well received by professionals and the Rollei TLR lost a lot of potential sales to the 500C. This was not much better, and on the 13th February 1954 the last Hasselblad 1000 left the factory. Worse still, no spares were available.ДЄfter a year, the Hasselblad was replaced by the 1000 model. He told me that he had sold two Hasselblads and both were faulty. The person I spoke to suggested that I bought a Rolleiflex TLR, much more reliable than the new Hasselbald 1600 that they were selling.

Rolleiflex 2.8 vs hasselblad professional#

Had I heard anything about this camera? I suggested that we telephoned Dollands the well-known opticians who had a very good professional camera department. In 1953, two days before I married Hazel, Herr Weiss who was RolleiвЂ™s chief designer, told me that he had seen a Hasselblad SLR medium format camera.

Stephen Coe a very well known and respected advertising photographer gave a talk on his favourite camera, The Rolleiflex SL66.ДЄs Stephen told his audience, his SL66 was his вЂbread earnerвЂ™ and also paid his rent! There is no doubt that the Rollei SL66 was a very strong camera that withstood many knocks and heavy usage, but on the downside was a heavy camera.ДЄnother Club Rollei member, whoвЂ™s preferred professional camera, was also the SL66, is Michael Warren, whose Photos Horticultural company, found the macro facility with the built in bellows was of great benefit. The Rolleiflex SL66 is a most interesting camera and for those of us who attended the Club annual вЂget-togetherвЂ™ in November at the Millstream Hotel, now the home of Club Rollei, we were very lucky.